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Michael Jackson’s Digital Immorality: AI-Generated Celebrity Endorsements and Posthumous Personality Rights in Luxury Fashion Advertising.

Authored By: Shri Jani. T

SCHOOL OF LAW, VEL TECH RANGARAJAN DR. SAGUNTHALA R&D INSTITUTE OF SCIENCE AND TECHNOLOGY

ABSTRACT

Celebrities, performers, fashion icons, and cultural trendsetters are increasingly recognized as digitally reproducible assets in the emerging field of artificial intelligence, which enables highly realistic digital replicas of deceased celebrities that attract stardom and play an instrumental role in mass marketing through celebrity endorsements in the luxury industry. This article examines the legal implications of such “digital immortality” through famous icons like Michael Jackson and Marilyn Monroe, focusing on issues of consent, identity, and commercial exploitation after death. Through doctrinal and comparative legal analysis, it explores whether existing posthumous personality-rights frameworks are adequate to regulate AI-generated celebrity endorsements in the luxury industry, examining key legislation such as the California Civil Code, the New York Civil Rights Law, Article 21 of the Indian Constitution, and relevant judicial precedents on publicity and personality rights. The study’s conclusion emphasizes the necessity to achieve a balance between commercial interest, consumer transparency, and the protection of posthumous rights and the dignity of the dead.

Keywords: Digital Immortality, Michael Jackson, Celebrity Endorsements, Luxury Fashion Advertising, Posthumous Personality Rights, Commercial Exploitation.

1. Introduction

The landscape of luxury branding and advertising has transformed with the convergence of AI, which facilitates the creation, preservation, and commercial exploitation of celebrity identity for mass marketing.1 Beyond death, a celebrity’s legacy is perpetuated to enhance brand value and consumer engagement, as mass marketing depends on two salient features — credibility and authenticity — to build trustworthiness among the audience.2 The luxury industry is primarily driven by exclusivity, aspiration, and cultural symbolism, and finds a digital goldmine when historically iconic figures are meticulously reconstructed. This progression is particularly evident in today’s global fashion and luxury landscape, where innovation dominates over existing legal protections.

The phenomenon of AI-generated celebrity endorsements raises a critical legal question: “Who controls the identity of a deceased celebrity in this tech era — is it their estates? Agents? Heirs? Perpetuators? Or other commercial stakeholders?” These questions reveal significant gaps in the existing legal regime. The right to publicity and personality rights are at stake, as the legal frameworks governing them were developed in an era of static photographs, recordings, and conventional advertising.

This article argues that the inadequacies of existing legal frameworks create opportunities for commercial exploitation, misrepresentation, and distortion of celebrity legacies. Using Michael Jackson and Marilyn Monroe as case studies, it demonstrates the implications of these gaps. The article further contends that luxury advertising’s strategic reliance on the mystique and curated myths of deceased celebrities for commercial gain ultimately violates the personality rights of the deceased, necessitating a more robust and proficient approach to the intersection of AI and luxury advertising in the digital era.

2. Background & Conceptual Framework

Earlier forms of technological resurrection were limited by data degradation, technological constraints — such as the lack of sophisticated 3D scanning and machine learning — and archival gaps. The primary development that paved the way to bring the dead “back to life” was advanced text-to-speech software, used as a form of inventory recording of a person’s voice, pronunciation, and sounds, enabling “the dead to speak.” Notable examples include the digitally altered appearance of Fred Astaire in a Dirt Devil commercial, the inclusion of Steve McQueen in a Ford commercial, and the use of digital manipulation to incorporate John Wayne into advertising campaigns.3

This was progressively followed by the advancement from text-to-speech to computer-generated imagery (CGI) and digital morphing technologies, which turned impossibilities into possibilities — posthumous casting, advertising campaigns, and the resurrection of historical figures in immersive media. These innovations enabled the recreation of actor Peter Cushing in Star Wars: Rogue One, and the appearance of Bruce Lee in advertising campaigns. While Hollywood has historically pioneered the digital recreation of deceased actors, director S. Shankar’s Indian 2 (2024) marked a watershed moment for the South Indian film industry through its extensive post-mortem digital resurrection of veteran actors Vivek and Nedumudi Venu.

Subsequent advancements in holographic technology have brought back nostalgic deceased celebrities like Tupac Shakur, Whitney Houston, and Michael Jackson to entertain audiences as hyper-realistic “digital humans,” showcasing how artificial intelligence, motion capture, and advanced projection systems can simulate human presence and redefine the boundary between live entertainment and simulated reality.”Every stride of advancement casts its own inescapable shadow, for where the light of progress blooms, the demerits of darkness must also find their place.”

As the line above suggests, the core legal question is to what extent an individual’s identity, name, image, likeness, and other distinctive attributes can be protected, given that these individuals are voiceless and no longer present to consent.

3. Legal Analysis

This section examines the primary legal impediments facing luxury branding and fashion advertising in the age of artificial intelligence, where a clash exists between hyper-personalized AI advertising and marketing on one hand, and AI governance, which is intended to preserve authenticity, on the other. The underlying issue is that traditional personality rights were developed to prevent unauthorized exploitation, but the emergence of generative AI technology, prompt systems, holographic technology, CGI, and other tools has altered the nature of celebrity endorsements by generating entirely new performances, statements, and commercial associations that never existed during a celebrity’s lifetime.4 This article also contends that the legal effectiveness of posthumous personality rights cannot be secured only by controlling existing representations, but requires determining who may authorize, create, and profit from the reproduction of a deceased individual’s identity. The stakes are significant: fashion icons, celebrities, actors, and other influential individuals do not merely market products — they market narratives, heritage, exclusivity, and cultural significance. The comparative analysis below turns first to statutory frameworks before examining how courts have applied them in practice.

3.1 California’s Civil Code

California’s Civil Code § 3344.1 — informally known as the Astaire Celebrity Image Protection Act — establishes protection for posthumous publicity rights, extending that protection for seventy years after death.5 The statute clearly recognizes that a celebrity’s identity can generate commercial value beyond their lifetime. It also provides a regulatory framework for estates managing highly profitable legacies, using a licensing-agreement mechanism that may be negotiated, with the capacity to sue when unauthorized commercial exploitation occurs. While California law effectively protects the economic interests in a celebrity’s name, voice, signature, photograph, and likeness, it offers insufficient safeguards against the distortion or reinterpretation of a celebrity’s legacy, since generative AI can create an entirely new persona rather than merely reproduce the deceased celebrity’s pre-established attributes.

3.2 New York’s Civil Rights Law

New York’s Civil Rights Law § 50-f expressly acknowledges the risks and consequences of digital replicas and synthetic performances.6 This legislation demonstrates a clear awareness of emerging technologies and adapts legal responses beyond the traditional publicity-rights doctrine. Its central focus is on the authorization of digital replicas. This creates a gap, however, as the legislation safeguards only the economic interests of the celebrity rather than protecting the integrity of their identity.

3.3 The European Union AI Act

The European Union’s Artificial Intelligence Act (EU AI Act) fundamentally addresses AI-centric issues and focuses on transparency, accountability, and consumer protection. The Act’s objectives are to ensure that individuals are informed when they are interacting with AI-generated content, avatars, bots, images, and other media on interactive platforms, thereby reducing the risk of deception and enhancing consumer trust and credibility.7 Celebrity endorsements derive much of their persuasive power from the perception that a genuine relationship exists between the celebrity and the brand, so within luxury advertising, such transparency obligations are undoubtedly valuable. The criticism of this Act is that it functions as a form of grievance redressal rather than addressing the underlying issue of whether such digital recreations should be permissible in the first place.

3.4 India: Judicial Recognition Without Legislative Certainty

With regard to generative AI, celebrity endorsements, and posthumous personality rights, India has no single dedicated regulatory body or unified statute covering these aspects — reflecting a legislative void in the framework. Protection can, however, be primarily claimed through Article 21 of the Indian Constitution, which recognizes privacy, dignity, and personality interests through judicial precedents such as Titan Industries Ltd. v. Ramkumar Jewellers and ICC Development (International) Ltd. v. Arvee Enterprises, both of which established that celebrity identity possesses commercial value deserving legal protection. This uncertainty becomes particularly problematic within the luxury industry, where the commercial incentive to exploit iconic personalities is substantial. Without clear statutory standards, disputes concerning digital replicas may require courts to extend existing constitutional principles into areas for which they were never specifically designed. Such reliance on judicial innovation creates unpredictability for both rights holders and commercial actors.

4. Case Discussion

4.1 Shaw Family Archives Ltd. v. CMG Worldwide, Inc., 486 F. Supp. 2d 309 (S.D.N.Y. 2007)8

This case raised the question of whether Marilyn Monroe’s estate possessed a posthumous right of publicity allowing it to control the commercial use of her name and likeness after her death. The court applied the principle that the descendibility of publicity rights depends on the law governing the celebrity’s domicile at the time of death. It held that Monroe’s estate had no enforceable right to exclusively license or control her identity, as New York did not recognize descendible postmortem publicity rights.

4.2 ICC Development (International) Ltd. v. Arvee Enterprises & Anr. (2003), Delhi High Court9

In this case, the Delhi High Court examined whether a non-sponsoring company could be prevented from advertising in a way that associated its products with the ICC Cricket World Cup. The law of passing off and trademark infringement protects legally recognized intellectual property rights, including trademarks, logos, goodwill, and other proprietary interests. However, a party cannot claim exclusive ownership over public interest, attention, or popularity generated by an event unless such association results in misrepresentation or unauthorized use of protected intellectual property. The case established that commercial association with a popular event is not unlawful unless it involves misrepresentation or infringement of legally protected interests. In the context of AI-generated celebrity endorsements, the decision highlights the continuing tension between commercial value and legally enforceable personality rights — a distinction that becomes increasingly significant in the age of digital immortality.

4.3 Titan Industries Ltd. v. Ramkumar Jewellers, 2012 (50) PTC 486 (Del.)10

In Titan Industries Ltd. v. Ramkumar Jewellers (2012), the Delhi High Court addressed whether the unauthorized use of photographs of Amitabh Bachchan and Jaya Bachchan in advertisements violated their personality rights. Ramkumar Jewellers had used images from a Tanishq campaign without obtaining permission from the celebrities or Titan Industries. The court recognized that a celebrity’s image has independent commercial value and that its unauthorized use may imply endorsement. By exploiting the goodwill associated with the Bachchans’ identities, the defendant gained an unfair commercial advantage. The court therefore held that such use constituted infringement of personality rights and passing off, granting an injunction against the defendant. The case remains a leading authority on celebrity publicity rights and the protection of commercial identity in India.

5. Critical Analysis

The legal difficulties created by AI-generated celebrity endorsements stem from a fundamental mismatch between technological capabilities and the assumptions underlying existing legal frameworks. Current publicity-rights and personality-rights doctrines were designed to regulate identifiable uses of a person’s name, image, voice, or likeness. Generative artificial intelligence, however, can produce entirely new content that extends beyond mere reproduction into the realm of digital creation. As a result, contemporary legal frameworks often struggle to determine where legitimate commercial exploitation ends and unauthorized reconstruction of identity begins.

A notable weakness across jurisdictions is the absence of a clear distinction between the commercial value of a celebrity and the integrity of their legacy. Existing laws generally focus on who possesses the authority to license a deceased celebrity’s identity, rather than on whether a digitally generated endorsement accurately reflects that individual’s beliefs, values, or artistic persona. Consequently, legal authorization may permit uses that are commercially profitable but potentially inconsistent with the celebrity’s lifetime image.

Recent legislative developments indicate growing awareness of this challenge. New York’s recognition of digital replicas and the European Union’s emphasis on transparency obligations demonstrate an effort to respond to technological change. Nevertheless, these measures address only part of the problem: disclosure requirements may reduce consumer deception, but they do not answer broader questions regarding posthumous consent, reputational harm, or the ethical limits of digital resurrection.

The present framework also creates an uneven distribution of benefits and burdens. Luxury brands gain access to powerful marketing tools, while estates continue to monetize celebrity identities long after death. Consumers, however, may encounter endorsements that appear authentic despite being entirely synthetic. Moreover, deceased personalities possess no meaningful ability to object to portrayals that may conflict with their established legacy.

In this respect, the law remains incomplete rather than entirely inadequate. The challenge is not whether posthumous personality rights should exist, but whether they should evolve to address digital immortality. A more effective framework would move beyond purely economic considerations and incorporate standards relating to consent, authenticity, and legacy preservation. Such reforms would better reflect the realities of AI-driven luxury advertising while ensuring that commercial innovation does not come at the expense of posthumous dignity.

6. Conclusion

Artificial intelligence has blurred the boundaries between memory, identity, and commercial exploitation. This article has argued that existing posthumous personality-rights frameworks are not fully equipped to address AI-generated celebrity endorsements, particularly within the luxury industry. While current laws offer some protection against unauthorized use, they provide limited guidance on digital replicas that create entirely new performances and commercial associations. As digital immortality becomes increasingly common, legal frameworks must evolve to address issues of consent, authenticity, and posthumous dignity. A balanced approach — combining estate control, consumer transparency, and safeguards against misuse — will be essential to ensure that technological innovation respects both commercial interests and personal legacy.

7. Reference(S):

  1. Andrew Gilden, ‘Endorsing After Death’.
  2. Ann-Marie Fleming, ‘Hollywood Undead: The Posthumous Star as Commercial and Consumer Product’.
  3. Tom Divon and Christian Pentzold, ‘Artificially Alive: An Exploration of AI Resurrections and Spectral Labor Modes in a Postmortal Society’.
  4. Astaire Celebrity Image Protection Act 1999 (California Civil Code § 3344.1).
  5. New York Civil Rights Law § 50-f (2020).
  6. Regulation (EU) 2024/1689 (Artificial Intelligence Act) 2024 (Official Journal of the European Union).
  7. Shaw Family Archives Ltd. v. CMG Worldwide, Inc., 486 F. Supp. 2d 309 (S.D.N.Y. 2007).
  8. ICC Development (International) Ltd. v. Arvee Enterprises & Anr. (2003), Delhi High Court.
  9. Titan Industries Ltd. v. Ramkumar Jewellers, 2012 (50) PTC 486 (Del.).

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